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Sankore

Named after the University of Sankore in Timbuktu — one of the world’s oldest centres of learning. Every figure here is computed from work-level records in our own graph, never copied from a source’s summary count.

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Coverage is partial and says so. A country appears with its research output only once its works have been swept; until then the portal shows whatever the graph happens to hold for it and labels it as exactly that.

Robin Steedman · Sankore

Robin Steedman

ORCID, self-asserted

ORCID 0000-0003-1033-9318

This profile carries an ORCID the researcher published on their own record — the strongest evidence available short of a human confirming it.

Publications

5

Citations

46

h-index

3

Computed over the works the graph holds, so it is a floor rather than a career figure.

i10-index

2

Publications

5 works in the graph, newest first.

“Squeezing money out of a rock”: diverse economies of contemporary theatre in Ghana
2025Cultural TrendsJournalOpen accessFirst authorCorresponding1 citations10.1080/09548963.2025.2522453
The Relational and Redistributive Dynamics of Mutual Aid: Implications of Afro-Communitarian Ethics for the Study of Creative Work
2024Business Ethics QuarterlyJournalOpen access3 citations10.1017/beq.2024.14
Exploring everyday resilience in the creative industries through devised theatre: A case of performing arts students and recent graduates in Ghana
2023International Journal of Cultural StudiesJournalOpen access6 citations10.1177/13678779231163606
‘The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries
2022GeoforumJournalOpen access25 citations10.1016/j.geoforum.2022.09.015
Imaginaries of platform entrepreneurship in the creative industries: techno-optimism and subversion in Ghanaian filmmaking
2022Information Communication & SocietyJournalFirst author11 citations10.1080/1369118x.2022.2062252