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Sankore

Named after the University of Sankore in Timbuktu — one of the world’s oldest centres of learning. Every figure here is computed from work-level records in our own graph, never copied from a source’s summary count.

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ORCID — researcher identity
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Coverage is partial and says so. A country appears with its research output only once its works have been swept; until then the portal shows whatever the graph happens to hold for it and labels it as exactly that.

Alice Korkor Ebeheakey · Sankore

Kwame Nkrumah University of Science and Technology

Alice Korkor Ebeheakey

ORCID, self-asserted

ORCID 0000-0001-6485-9728

This profile carries an ORCID the researcher published on their own record — the strongest evidence available short of a human confirming it.

Publications

4

Citations

4

h-index

1

Computed over the works the graph holds, so it is a floor rather than a career figure.

i10-index

0

Works published 2022 onward have been swept for this country. Figures are complete within that window, to the extent the open indexes are.

Affiliations

Every institution this scholar has appeared with on a work, by how many.

Kwame Nkrumah University of Science and Technology3 works
Sunyani Technical University1 works

Publications

4 works in the graph, newest first.

A Religio-Cultural Inquiry into the Spiritual Journey of a Fiasidi through Initiation Rites at the Trokosi Shrines in Klikor, Ghana
2024E-Journal of Humanities Arts and Social SciencesJournalOpen accessSenior author1 citations10.38159/ehass.2024588
Inked Expressions: An appreciation of selected contemporary tattoo art among Ghanaians in Kumasi and Accra metropolises
2024Journal of African Art EducationJournalOpen access1 citations10.59739/jaae.v4i2.0824002
Aesthetic elements in Tagbayiyi ritual performance of the Fiasidi tradition in the Klikor traditional area of Ghana
2024Journal of African Art EducationJournalOpen accessSenior author0 citations10.59739/jaae.v4i2.0824001
Conceptualizing the stylistic body movements in contemporary Ghanaian dances as performance art form
2022Journal of African History Culture and ArtsJournalOpen access2 citations10.57040/jahca.v2i1.104