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Sankore

Named after the University of Sankore in Timbuktu — one of the world’s oldest centres of learning. Every figure here is computed from work-level records in our own graph, never copied from a source’s summary count.

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Coverage is partial and says so. A country appears with its research output only once its works have been swept; until then the portal shows whatever the graph happens to hold for it and labels it as exactly that.

Sex Objects and Conquered People? Representations of women in Nigerian Films in the 21st Century

2022QISTINA Jurnal Multidisiplin IndonesiaJournalOpen access

10.57235/qistina.v1i2.205 Full text6 citations

Authors

5 authors across 4 institutions in 1 country.

Agwu A. EjemFirst author
- Landmark University (NG)
Ifeanyi Martins Nwokeocha
- Heritage Polytechnic (NG)
- The Federal Polytechnic, Ado-Ekiti (NG)
as printed: Ifeanyi M. Nwokeocha
Jude O. Abba Father
- Imo State University (NG)
Nkem Fab-Ukozor
- Imo State University (NG)
Chinedu IbekweSenior author
- Imo State University (NG)

Fields

Assignment is probabilistic — a work belongs to several fields in proportions.

South Asian Cinema and Culturelevel 3 · 0.96
Media, Gender, and Advertisinglevel 3 · 0.95

Sources

Several sources describing one work is the point — it means the record rests on more than one authority.

openalexseen September 9, 2026
2022 · QISTINA Jurnal Multidisiplin Indonesia · 6 citations
https://openalex.org/W4313392749

Sex Objects and Conquered People? Representations of women in Nigerian Films in the 21st Century · Sankore