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Sankore

Named after the University of Sankore in Timbuktu — one of the world’s oldest centres of learning. Every figure here is computed from work-level records in our own graph, never copied from a source’s summary count.

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Coverage is partial and says so. A country appears with its research output only once its works have been swept; until then the portal shows whatever the graph happens to hold for it and labels it as exactly that.

The Historical Development, Cultural and Aesthetic Significance of Akan Musical Art form (Ebibindwom) in the Liturgy of the Methodist Church Ghana

2022Asian Research Journal of Arts & Social SciencesJournalOpen access

10.9734/arjass/2022/v17i430313 Full text0 citations

Authors

5 authors across 2 institutions in 2 countries.

John Kofi BrewuFirst author
Steve Kquofi
- Kwame Nkrumah University of Science and Technology (GH)
Dickson Adom
- Kwame Nkrumah University of Science and Technology (GH)
Edwin K. Bodjawah
- Kwame Nkrumah University of Science and Technology (GH)
as printed: Edwin Bodjawah
Joe Adu-AgyemSenior author
- Kwame Nkrumah University of Science and Technology (GH)

Fields

Assignment is probabilistic — a work belongs to several fields in proportions.

Music History and Culturelevel 3 · 0.92

Sources

Several sources describing one work is the point — it means the record rests on more than one authority.

openalexseen September 5, 2026
2022 · Asian Research Journal of Arts & Social Sciences · 0 citations
https://openalex.org/W4286719137

The Historical Development, Cultural and Aesthetic Significance of Akan Musical Art form (Ebibindwom) in the Liturgy of the Methodist Church Ghana · Sankore